本年度的招生通知在另一文中，有兴趣的读者可以去看看。人生何处不相逢。","marks":[]}]}],"state":{}},{"type":"block","id":"FOPZ-1658888471527","name":"paragraph","data":{},"nodes":[{"type":"text","id":"loTw-1658888471497","leaves":[{"text":"话说，前篇文章小编分享了梅艳芳的密友--刘培基先生的案例，文中又提了一句龙池是“舞池”之意。最初普及龙池星情的时候，好像就普及过这个象义。斗数中能取像出舞台的有四颗小星：龙池，凤阁，三台，八座。这四颗星也都有亭台楼阁舞台之意。其中，三八又兼具交通工具之意。","marks":[]}]}],"state":{}},{"type":"block","id":"Un98-1658888905851","name":"paragraph","data":{},"nodes":[{"type":"text","id":"EtQe-1658888905826","leaves":[{"text":"龙池凤阁二星是年系星，三台八座是日时系星，好不起眼的小星星哦，可别小看这些小星星，主星能干的活儿它们都能干。比如，区分人的贫富贵贱。","marks":[]}]}],"state":{}},{"type":"block","id":"zZzz-1658905567100","name":"paragraph","data":{},"nodes":[{"type":"text","id":"UAAU-1658905567075","leaves":[{"text":"尤其这个日系星，我们紫微斗数命盘中一共就只有四颗星星是根据出生日安出来的，即：三台八座，恩光天贵。","marks":[]}]}],"state":{}},{"type":"block","id":"27nb-1658905695874","name":"paragraph","data":{},"nodes":[{"type":"text","id":"qo3U-1658905695870","leaves":[{"text":"不少学其他禄命术的学者初接触紫微斗数的时候非常不理解，尤其是子平术学者，子平术中这个“日主”在四柱中的地位是极其重要的。而紫微斗数的出生日就只安出来四颗看似不起眼的小星星，更令不少子平术学者惊诧的是：就这四颗日系星还被不少主攻四化理论的人儿省略了，甚至不少排盘软件直接省略了此四颗星。主攻三合的理论倒是没有省略此四星，但是其“影响力”被“星星分级”思想给削弱了，名曰：小星星影响力不大……","marks":[]}]}],"state":{}},{"type":"block","id":"imYO-1658905870138","name":"paragraph","data":{},"nodes":[{"type":"text","id":"aeIM-1658905870136","leaves":[{"text":"然而，你越是知道紫微斗数有这种安星特点，就愈发能感受到此四颗星在斗数中的地位是极其重要的。大家看哈，此四颗日系星安排得非常有特点：三台八座，小编经常说这是数量星，可以增富气亦增排场，而恩光天贵，大家也能看到小编探讨一些官宦的案例时，用这两颗星非常频繁，近乎失了此二星，我便无法判断命主是否为公门贵客，天官星亦然，若仅凭出生年安出的魁钺两大贵人星是我个人是无法笃定某人就是公门中人的。古代命理书论格局高低，不就是论的“人间的富贵高低”嘛？此四颗日系星恰恰就是两颗主富多一点，两颗主贵多一点。","marks":[]}]}],"state":{}},{"type":"block","id":"829n-1658927293896","name":"paragraph","data":{},"nodes":[{"type":"text","id":"cssn-1658927293871","leaves":[{"text":"当然，两对小星还有些象义重叠的地方，比如，三台八座，也有点贵气，但还是富气多一些。而恩光天贵呢，有点富气，但还是贵气多一些。这四颗星的得失对人的影响还是非常大的，因为此四颗星就是出生之日对命主的影响。","marks":[]}]}],"state":{}},{"type":"block","id":"KOPJ-1658929514916","name":"paragraph","data":{},"nodes":[{"type":"text","id":"a4wM-1658929514910","leaves":[{"text":"唉，出生日总共只有四颗星，本该当成“宝贝”一样供着的，不仅不应该忽略，反而要加大此四星对命局的影响力，小编也曾像一些子平学者一样思考为什么要忽略此四颗星，却总也想不明白，到后来便不想了。","marks":[]}]}],"state":{}},{"type":"block","id":"CijS-1658906297177","name":"paragraph","data":{},"nodes":[{"type":"text","id":"icBB-1658906297175","leaves":[{"text":"在小编的理论体系内，若把此四颗星忽略掉了，也就相当于把出生的年月日时中的出生日给架空了，算了半天只算了出生的年月时对人的影响，有道是我们年年过生日，但运用斗数进行预测的时候，这生日的影响力到底去哪里了呢？也太不把“生日”当腕儿了。","marks":[]}]}],"state":{}},{"type":"block","id":"g6xX-1658907944283","name":"paragraph","data":{},"nodes":[{"type":"text","id":"VIL2-1658907944280","leaves":[{"text":"小星除却能区分富贵高低之外，在取像过程中也是非常重要的，虽然取像是非常非常非常难的活计。","marks":[]}]}],"state":{}},{"type":"block","id":"BI4D-1658973917853","name":"paragraph","data":{},"nodes":[{"type":"text","id":"wIlT-1658973917822","leaves":[{"text":"以前小编写过香港著名歌手黄家驹的案例，大家说黄家驹为什么偏偏就在“舞台”上跌落了呢？为什么不是爬树掉下来摔着了？为什么不是从其他地方摔落？这就跟命盘中的龙凤三八极度相关了。","marks":[]}]}],"state":{}},{"type":"block","id":"zzZS-1658911534243","name":"paragraph","data":{},"nodes":[{"type":"text","id":"9ND6-1658911534238","leaves":[{"text":"我们“圈外人”不经常接触舞台或者登台表演的文艺工，可能正面去推蒙不出来是舞台有问题，但是正面断不出来，事后好歹得进行案例回溯吧，这时候就把研究重点锁定在龙凤三八落宫就好了。这并不是为了研究从舞台上摔落怎么看，而是为了研究龙凤三八跟一些什么样的主星辅星在一起能够构成“舞台”的取像。万一以后遇到登台表演者或者本身就是舞台设计师的人儿了呢？","marks":[]}]}],"state":{}},{"type":"block","id":"U6nF-1658909517684","name":"paragraph","data":{},"nodes":[{"type":"text","id":"KuB3-1658909517651","leaves":[{"text":"要不？本周再分享一例舞台工的案例给大家欣赏一下。此例可不是刘培基先生那种设计舞台服装的工而是一位舞台设计师，我们重点观察该例的龙池凤阁三台八座四星落宫及配置。","marks":[]}]}],"state":{}},{"type":"block","id":"NOqY-1658909737538","name":"paragraph","data":{},"nodes":[{"type":"text","id":"iTFG-1658909737536","leaves":[{"text":"命主名叫：李名觉，身出豪门（宁波北仑小港李氏家族第五代后人），其母为民国上海滩顶级名媛之首，极著名交际花，宋子文前女友--唐瑛，与陆小曼合称“南唐北陆”，名副其实的社交女王，上海滩超级贵妇。","marks":[]}]}],"state":{}},{"type":"block","id":"XuK3-1658985049723","name":"paragraph","data":{},"nodes":[{"type":"text","id":"y7Km-1658985049721","leaves":[{"text":"其父为沪上殷商，企业家--李祖法。李名觉父母在其幼时便因“性格不合”为由离婚。传闻是李祖法并不喜欢自己妻子时常出入社交场合过着“花蝴蝶”般的交际花生活。","marks":[]}]}],"state":{}},{"type":"block","id":"jWKk-1658985747469","name":"paragraph","data":{},"nodes":[{"type":"text","id":"ECps-1658985747467","leaves":[{"text":"李名觉的爷爷更是沪上豪富--李云书","marks":[]}]}],"state":{}},{"type":"block","id":"U337-1658910032756","name":"paragraph","data":{},"nodes":[{"type":"text","id":"540J-1658910032754","leaves":[{"text":"李名觉本人则为世界当代舞台设计界泰斗，20世纪世界十大舞台设计大师之一，美国舞台设计界的一代宗师。他同时是华人在世界舞台设计圈首屈一指的大咖。耶鲁大学舞台设计系主任，终身教授。","marks":[]}]}],"state":{}},{"type":"block","id":"vuty-1658993115879","name":"paragraph","data":{},"nodes":[{"type":"text","id":"bjAc-1658993115877","leaves":[{"text":"李名觉的舞台设计作品包括百老汇、芭蕾舞以及古典及现代剧等，在世界各地共设计过300多场演出。","marks":[]}]}],"state":{}},{"type":"block","id":"Xm1T-1658993111417","name":"paragraph","data":{"version":1},"nodes":[{"type":"text","id":"2N6j-1658993111416","leaves":[{"text":"他和英国的科尔泰、捷克的斯沃博达并称世界舞台美术设计三大巨头，雄踞美国十大舞台设计师之首，而且这十大设计师中，有六位曾是他的学生或助手。此外，世界上很多著名舞美设计师都表示受到过他的启迪或影响。其代表作为：《伊蕾特拉》，李名觉于2020年10月24日逝世。","marks":[]}]}],"state":{}},{"type":"block","id":"2HGF-1658985838218","name":"paragraph","data":{},"nodes":[{"type":"text","id":"rIXp-1658985838216","leaves":[{"text":"瞧瞧，啥叫咖位，同样是人为什么别人能行而我不行？得，我们也别管咖不咖了，只需论证星星能不能用，又该怎么用的就行。","marks":[]}]}],"state":{}},{"type":"block","id":"6Mgv-1658909629840","name":"paragraph","data":{},"nodes":[{"type":"text","id":"XEmk-1658909629838","leaves":[{"text":"“舞台设计”这一行也好像有点“偏门”哈，属于戏剧周边产业。我们也把重点放在日系星能否左右我们取像即可。","marks":[]}]}],"state":{}},{"type":"block","id":"j8yn-1658986017042","name":"paragraph","data":{},"nodes":[{"type":"text","id":"7tct-1658986017040","leaves":[{"text":"①.舞台设计师","marks":[]}]}],"state":{}},{"type":"block","id":"k17d-1658987084402","name":"paragraph","data":{},"nodes":[{"type":"text","id":"BhA7-1658987084400","leaves":[{"text":"A.龙池凤阁三台八座","marks":[]}]}],"state":{}},{"type":"block","id":"RW5Z-1658987365442","name":"paragraph","data":{},"nodes":[{"type":"text","id":"aOvj-1658987365440","leaves":[{"text":"前文小编扯了一通斗数中最能往“舞台”上取像的有四颗星最合适：龙凤三八。大家观察一下李先生的龙凤三八在哪里？咦？好巧啊，龙池三台竟然在官禄宫，而官禄宫无主星落入，夫妻宫又逢凤阁八座落入，即：龙凤三八四大关于舞台的小星星全部落在夫官线。神奇吧？","marks":[]}]}],"state":{}},{"type":"block","id":"PVhF-1658987383201","name":"paragraph","data":{},"nodes":[{"type":"text","id":"pkwF-1658987383200","leaves":[{"text":"B.火铃同聚六宫逢巨阳系","marks":[]}]}],"state":{}},{"type":"block","id":"GKcs-1658987423801","name":"paragraph","data":{},"nodes":[{"type":"text","id":"c436-1658987423799","leaves":[{"text":"难道命六聚了龙凤三八就一定往舞台设计上发展嘛？肯定不是，还需要跟其他星星配合才行。李名觉先生的案例，小编拿到手之后，先是留意了一下“鸾喜”落宫，看看他有无在命六宫聚会，找了半天，发现鸾喜竟不落命六宫，舞台设计虽然偏门，但好歹也是艺术范畴啊，其又被称为“舞台美术设计”或“布景设计”…百思不得其解啊。","marks":[]}]}],"state":{}},{"type":"block","id":"vI4r-1658987720235","name":"paragraph","data":{},"nodes":[{"type":"text","id":"QXU3-1658987720233","leaves":[{"text":"小编遂去找相关文章给自己科普一下这“舞台设计”到底是干嘛的。科普完了才发现，这舞台设计可不简单呢，并不是普通的放几条板凳上几个人就能演一出戏。而是要把灯光，音响，道具，布景，悬吊，支架系统在一起协调才行。即：此类人不仅仅是美术师还是工程师。黄家驹坠落舞台，还有前两天香港红馆舞台事故，这些事儿的发生应该跟舞台设计者有莫大牵连。","marks":[]}]}],"state":{}},{"type":"block","id":"5Q3Z-1658988001147","name":"paragraph","data":{},"nodes":[{"type":"text","id":"9ydl-1658988001143","leaves":[{"text":"科普完这个，小编就知道为啥不遇鸾喜也可以做舞美了。为啥啊？灯光，音响，乃是火铃二星所主啊。舞台美术很多都是跟灯光的运用相关，城市夜景咋来的？乌漆麻黑怎么看？还不就是各色霓虹的运用喽，灯光秀也是美术啊。至于舞台机械，悬吊，支架系统，那就是机梁啊。","marks":[]}]}],"state":{}},{"type":"block","id":"akbJ-1658989501239","name":"paragraph","data":{},"nodes":[{"type":"text","id":"isfa-1658989501205","leaves":[{"text":"有意思的是此案例乃为巨阳系，巨门为声，太阳为光。而舞台设计最为重要的两个要素便是这声与光。且汇聚火铃两颗小的主掌声与光的星星。尤其这个巨门太阳禄地劫组合取像非常有意思，不少读者可能亲临现场看过演唱会或者话剧之类的文艺节目，有些话剧要分好多章节的，不同的章节需要不同的角色或道具出现在台上，演完一个章节后可能两边的大幕就像两扇大门一样关闭一段时间或者是舞台中央的灯光处于全黑状态，给场务和演员切换道具服装的时间，等准备好了再缓缓打开…这巨门太阳禄逢地劫就是这因时开阖的大幕或者时明时暗的灯光。","marks":[]}]}],"state":{}},{"type":"block","id":"N6Sp-1658989238476","name":"paragraph","data":{},"nodes":[{"type":"text","id":"UBIK-1658989238475","leaves":[{"text":"这当然是马后炮式分析喽，世界上的行业实在是太多了，认都认不全。术士给出的断语能且只能局限于“自己的认知范围”之内。每个人都有很多知识盲区的，术士并非万能，尤其精准取像极难。","marks":[]}]}],"state":{}},{"type":"block","id":"w3W2-1658989543108","name":"paragraph","data":{},"nodes":[{"type":"text","id":"AMDJ-1658989543105","leaves":[{"text":"这是去总结某颗星的星情在他这个行当充当什么角色，有没有超出基础星情之外。如果让我正面去断舞台设计，我是绝对断不出来的…不怕大家笑话，作为无产阶级的小编都没看过“现场”，这个行当对我而言是极其陌生的，属于知识储备的边缘区域。即：知道这个行业，但是具体断的时候不会或者想不起来往这方面琢磨。","marks":[]}]}],"state":{}},{"type":"block","id":"Jldl-1658989862608","name":"paragraph","data":{},"nodes":[{"type":"text","id":"rgcp-1658989862605","leaves":[{"text":"C.鸾喜还是有用的","marks":[]}]}],"state":{}},{"type":"block","id":"tF26-1658989901004","name":"paragraph","data":{},"nodes":[{"type":"text","id":"0GP7-1658989901002","leaves":[{"text":"此造鸾喜不在命六，反而在子田线逢天相同宫。子田是奴仆的事业宫。这鸾喜到底有什么用呢？李名觉只是舞台设计师，而不是真正到台上演出的演员。他搭戏台，别人来演。鸾喜落到交友的事业宫逢天相，演员逢鸾喜不是很合理嘛？刘培基的鸾喜也在兄友啊，他也是演艺圈周边产业啊。这个思维就像小编今年发的“纸箔”企业家一样，他不直接参与祭祀祈福活动，而是所生产的产品被别人用作祭祀祈福。所以，奴仆六宫可以用来兼审取像。","marks":[]}]}],"state":{}},{"type":"block","id":"KVbI-1658990420898","name":"paragraph","data":{},"nodes":[{"type":"text","id":"gFTN-1658990420872","leaves":[{"text":"A+B+C加起来才能大致蒙个大方向。然而，若把龙池凤阁三台八座省略，又该如何判定此人为“搭戏台”的设计师呢？纵然马后炮都难击中目标。这些小星星是实打实地可以影响自己该吃哪碗饭的，怎么可以说小星星的影响力不大呢？","marks":[]}]}],"state":{}},{"type":"block","id":"08mw-1658987358266","name":"paragraph","data":{},"nodes":[{"type":"text","id":"Pstr-1658987358264","leaves":[{"text":"②.母亲唐瑛","marks":[]}]}],"state":{}},{"type":"block","id":"1oaD-1658990568634","name":"paragraph","data":{},"nodes":[{"type":"text","id":"v0Zp-1658990568632","leaves":[{"text":"李名觉先生的兄弟宫非常适合被用来论证恩光天贵封诰诸小星对人的高低档次到底有没有影响。前文聊到唐瑛是旧时上海滩社交女王，超级贵妇。若把小星舍了，那就只有紫杀落辛巳，难道就凭紫杀同宫就可以论为贵妇了嘛？","marks":[]}]}],"state":{}},{"type":"block","id":"REpO-1658994990331","name":"paragraph","data":{},"nodes":[{"type":"text","id":"LSsO-1658994990306","leaves":[{"text":"当然不是，若此，很多读者都能凑成紫杀同宫组合，这么搞，共盘率高得有点吓人，紫杀同宫仅是斗数的基础局之一而已，基本上不太能用作区分高低档次的。然而，此造天贵恩光两大日系星再逢封诰时系星一来加持逢帝星同宫，这贵气像，女王像就来了。仅凭兄弟宫的星星只能看出来母亲雍容华贵典雅，但是看不出来“乐于社交”之像，这时候兄弟宫的辛便有了用途。","marks":[]}]}],"state":{}},{"type":"block","id":"dJuL-1658995040135","name":"paragraph","data":{},"nodes":[{"type":"text","id":"ov5q-1658995040133","leaves":[{"text":"丁巨门忌为隐遁，逃避，我想静静，而辛呢？反过来就行了，抛头露面，喜热闹，爱交朋友。把斗数中所有的零件用上，就能大概勾勒出母亲的一些特征。当然可以把父母宫的癸纳入参考范畴。父母宫乃为母亲之福德…癸乃桃花星，化贪狼忌入疾厄宫冲父母宫之昌曲。贪狼文曲，政事颠倒。民国时期，男女授受不亲的思想还是存在的，当时男女生不同校，故而女校很多。而唐瑛却在那个“裹小脚”的年代热衷于抛头露面频频出入男人聚集的社交场，猜？这算不算“大胆”“政事颠倒”？嗯，这个政事颠倒非常适合艺术。别管是唐瑛本人还是李名觉又或是李名觉舞台上的演员，他们都挺“艺术”的啊。","marks":[]}]}],"state":{}},{"type":"block","id":"5dNY-1658993708169","name":"paragraph","data":{},"nodes":[{"type":"text","id":"RNEo-1658993708138","leaves":[{"text":"李名觉的母亲宫那些星群组合若逢壬，就厉害了，可就不是社交女王了，而是真有可能是女王，这便是真贵了。可惜，不存在这种组合。","marks":[]}]}],"state":{}},{"type":"block","id":"hxsl-1658995073458","name":"paragraph","data":{},"nodes":[{"type":"text","id":"Ktga-1658995073455","leaves":[{"text":"所以，我们若把恩光天贵两大日系星忽略不计，便产生两个后果：①.共盘率太高②.无法更加细致的去勾勒某宫属性，甚至是非常容易勾勒错。而用了日系星，便十分直观折射出像数。","marks":[]}]}],"state":{}},{"type":"block","id":"szcW-1659069926635","name":"paragraph","data":{},"nodes":[{"type":"text","id":"qzyr-1659069926609","leaves":[{"text":"倒不是说把小星星省略了便一点都算不出了，而是省略了小星星很多像数显示得不够直观。","marks":[]}]}],"state":{}},{"type":"block","id":"MwEr-1659069995413","name":"paragraph","data":{},"nodes":[{"type":"text","id":"4zow-1659069995411","leaves":[{"text":"大家看看这张案例。","marks":[]}]}],"state":{}},{"type":"block","id":"xlPL-1659070005621","name":"paragraph","data":{},"nodes":[{"type":"text","id":"x0pW-1659070005619","leaves":[{"text":"此简盘跟李名觉的简盘的主星极度类似，甚至包括先后天四化都是一样的…二者有没有趋同之处呢？当然是有的：1.此人也是含着金钥匙出生，家族富了四代，李名觉则也是富了四五代。2.此人的母亲也是知识分子，通文墨。3.此人也酷爱戏剧，经常出入戏班。与当时各大戏班往来密切，经常合作。这三个标签跟李名觉先生极度相似。","marks":[]}]}],"state":{}},{"type":"block","id":"p03Y-1659070751728","name":"paragraph","data":{},"nodes":[{"type":"text","id":"uqpq-1659070751701","leaves":[{"text":"这人是谁啊？汤显祖，大戏剧家，《牡丹亭》。汤公比李名觉早出生380年。二人悠悠荡荡最后都是从事了“戏剧产业”，只是分工不同，一是给台上的演员设计舞台。一是给台上的演员创作剧本。二人身上的其他差别，就得靠小星星具体分辨了。比如，李名觉的天寿星就是比汤显祖的天寿放的好。而若论及事业，汤公的恩光天贵看起来要比李公的稍优，且汤公的三台八座龙池凤阁的落处也较李公优越很多。为啥呢？君不见汤公三八龙凤齐刷刷地在夹着疾厄宫嘛？且疾厄宫逢自化权禄落入逢坐贵向贵，这能提贵气的。且吧，龙池凤阁二星可司科甲，乃文明之宿，一落财福，一落命迁，皆是才情之位可增人文墨的，若再逢其他科文之星尤吉，且汤公夹疾厄宫文书位，更吉，此也是汤公虽然身居戏剧产业，却是写剧本的原因之一。不吉之处便是疾病化忌自冲，李名觉也是化文曲忌自冲，李公是辍学移民，到了美国才学舞台设计。而汤公则是屡试不第，好不容易考上了，后来还因不适应官场，做了15年官之后，愤而辞职，投身戏剧创作。","marks":[]}]}],"state":{}},{"type":"block","id":"ElG9-1659072452258","name":"paragraph","data":{},"nodes":[{"type":"text","id":"DMUm-1659072452233","leaves":[{"text":"若先后天四化及主星完全一样，别二人异同，解题的七寸便在平时非常容易忽略的杂曜身上了。","marks":[]}]}],"state":{}},{"type":"block","id":"NhWD-1659071763247","name":"paragraph","data":{},"nodes":[{"type":"text","id":"Y3db-1659071763244","leaves":[{"text":"但是，汤公母亲的“贵妇范儿”要比李公的母亲逊色不少。","marks":[]}]}],"state":{}},{"type":"block","id":"rJCQ-1659074580632","name":"paragraph","data":{},"nodes":[{"type":"text","id":"eof1-1659074580626","leaves":[{"text":"二人鸾喜位置也不同啊，谁最风流？汤公。","marks":[]}]}],"state":{}},{"type":"block","id":"IiRn-1659071626118","name":"paragraph","data":{},"nodes":[{"type":"text","id":"Fe4I-1659071626093","leaves":[{"text":"当然，二人差别也有国情和时代作为影响因子去影响彼此的命运。比如，汤显祖的母亲虽然也辛，但是她就不可能像李名觉的母亲那样热衷社交，为啥呢？因为唐瑛所处时代正逢西学东渐时期，而汤显祖母亲，那时候还处处讲究礼教的，那个时代的女人嘛，就老老实实在家相夫教子，再是政事颠倒，也不敢太出风头。","marks":[]}]}],"state":{}},{"type":"block","id":"6pnO-1658992278199","name":"paragraph","data":{},"nodes":[{"type":"text","id":"ivK4-1658992278166","leaves":[{"text":"文末：话说，我们紫微斗数真的有那么高的共盘率嘛？","marks":[]}]}],"state":{}},{"type":"block","id":"v7or-1659012868961","name":"paragraph","data":{},"nodes":[{"type":"text","id":"Awu5-1659012868959","leaves":[{"text":"针对庞大的紫微斗数体系多做些加法，少做些减法。这共盘率高的状况自然而然就下来了。","marks":[]}]}],"state":{}},{"type":"block","id":"gBQj-1659073995115","name":"paragraph","data":{},"nodes":[{"type":"text","id":"R4wX-1659073995113","leaves":[{"text":"减法做多了，往往不是删繁就简，反而是增加论盘的难度以及降低准确率。","marks":[]}]}],"state":{}},{"type":"block","id":"TWUP-1659013240298","name":"paragraph","data":{},"nodes":[{"type":"text","id":"SLgC-1659013240293","leaves":[{"text":"闪了…","marks":[]}]}],"state":{}}]">